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	<title>Comments on: Episode 4: Live and Sassy &#8211; And We&#8217;re Back!</title>
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	<link>http://champagneandsocks.com/2012/06/26/episode-4-live-and-sassy-and-were-back/</link>
	<description>A Girlie Jones Adventure</description>
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		<title>By: Alisa</title>
		<link>http://champagneandsocks.com/2012/06/26/episode-4-live-and-sassy-and-were-back/#comment-7946</link>
		<dc:creator><![CDATA[Alisa]]></dc:creator>
		<pubDate>Sun, 01 Jul 2012 06:07:14 +0000</pubDate>
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		<description><![CDATA[I&#039;m really not sure at this stage. I think I&#039;m still really sounding out the possibilities of this sort of a model and means to fund projects. I&#039;m definitely watching and taking notes and seeing where things go.]]></description>
		<content:encoded><![CDATA[<p>I&#8217;m really not sure at this stage. I think I&#8217;m still really sounding out the possibilities of this sort of a model and means to fund projects. I&#8217;m definitely watching and taking notes and seeing where things go.</p>
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		<title>By: Josh Gentry (@joshagentry)</title>
		<link>http://champagneandsocks.com/2012/06/26/episode-4-live-and-sassy-and-were-back/#comment-7922</link>
		<dc:creator><![CDATA[Josh Gentry (@joshagentry)]]></dc:creator>
		<pubDate>Sat, 30 Jun 2012 18:21:31 +0000</pubDate>
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		<description><![CDATA[Interesting to hear publishing professionals discuss this topic.

Most Kickstarter campaigns I&#039;ve seen for books are not straight pre-sales.  They are a fascinating mix of pre-sale and patronage.  You are helping make something happen that wouldn&#039;t, otherwise.  You get to feel like you are a part of creating something cool.  And as a result, you kick in more than you would pay for a straight pre-sale. 

Also, a big chunk of the money raised usually comes from a few big ticket rewards that are far beyond pre-sales.

 It&#039;s very cool.  Does it change publishing?  It allows lots of small projects to get done that wouldn&#039;t get done based on profit and loss.  This is cool.  Is it a game changer for publishing, probably not.

A different question might be, could green-lighting of a project based on Internet pre-sales be a game changer for publishing?  Maybe?  Might we see a model where publishers say, &quot;We&#039;ll publish this book if we get N pre-orders at normal rettail price?&quot;  Could you see Twelfth Planet Press doing that?]]></description>
		<content:encoded><![CDATA[<p>Interesting to hear publishing professionals discuss this topic.</p>
<p>Most Kickstarter campaigns I&#8217;ve seen for books are not straight pre-sales.  They are a fascinating mix of pre-sale and patronage.  You are helping make something happen that wouldn&#8217;t, otherwise.  You get to feel like you are a part of creating something cool.  And as a result, you kick in more than you would pay for a straight pre-sale. </p>
<p>Also, a big chunk of the money raised usually comes from a few big ticket rewards that are far beyond pre-sales.</p>
<p> It&#8217;s very cool.  Does it change publishing?  It allows lots of small projects to get done that wouldn&#8217;t get done based on profit and loss.  This is cool.  Is it a game changer for publishing, probably not.</p>
<p>A different question might be, could green-lighting of a project based on Internet pre-sales be a game changer for publishing?  Maybe?  Might we see a model where publishers say, &#8220;We&#8217;ll publish this book if we get N pre-orders at normal rettail price?&#8221;  Could you see Twelfth Planet Press doing that?</p>
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